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Article
10.03.2021 | Gabriela Salgado
With the kings’ permission – Bisi Silva
Interview
31.10.2020 | Doris Salcedo & Carolina Ariza
Doris Salcedo: From Singular Identity to Collective Historiography
Interview
11.07.2020 | Anaïs Roesch & Matylda Taszycka
Ishiuchi Miyako: Photography as a Trace
Exhibition review
11.04.2020 | Juliette Milbach
Pacita Abad: Commitment to the Studio
Exhibition review
22.02.2020 | Adélie Le Guen
Variations of Perception in Dóra Maurer’s Work
Exhibition review
14.02.2020 | Matylda Taszycka
Hand-to-hand with Miriam Cahn
Exhibition review
26.01.2020 | Adiva Lawrence
Betye Saar, from assemblage to resistance
Interview
24.03.2018 | Nathalie Ernoult and ORLAN
ORLAN, between artist and robot
Exhibition review
10.02.2018 | Camille Viéville
Beatriz González: Popular and Political
Exhibition review
16.12.2017 | Marie Perennès
Nalini Malani: A work between personal experience and torments of history
Thesis or dissertation abstract
02.10.2017 | Nadine Atallah
Women, art and the nation. History of the exhibitions of two Egyptian women artists, from the 1950s to the present day: Inji Efflatoun and Gazbia Sirry
Exhibition review
16.09.2016 | Anne-Fleur Merlaud
