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Article
25.10.2024 | Annalisa Rimmaudo
Minimal and Post-Minimal: Sculpture Beyond the White Cube
Article
26.07.2024 | Jacqueline Millner
Can we topple an ideology by erecting another statue? Reimaging monuments and feminist memorialising
Article
14.09.2023 | Aby Gaye-Duparc
The Gee’s Bend Quilt Collective: a story of the South
Article
05.08.2022 | Maia Creus and Maria Lluïsa Faxedas
Fina Miralles, from the idea of art to the art of lived experience
Article
08.07.2022 | Nadia Radwan
Women Artists from the Arab World: On the Discourse of Abstraction and Other Misconceptions
Exhibition review
18.04.2020 | Mathilde Bartier
Women Artists in the Face of Abstraction at the Musée Soulages
Exhibition review
11.04.2020 | Juliette Milbach
Pacita Abad: Commitment to the Studio
Exhibition review
22.02.2020 | Adélie Le Guen
Variations of Perception in Dóra Maurer’s Work
Exhibition review
12.01.2020 | Vanessa Noizet
Natural Forms: The Sculpture of Barbara Hepworth
Exhibition review
13.10.2019 | Mathilde Bartier
Helen Frankenthaler: the triumph of colour
Exhibition review
05.10.2019 | Leïla Jarbouai
Weavers, painters and feminists in São Paulo
Exhibition review
09.06.2019 | Mathilde Hivert
Simone Fattal: Unearthed History
Exhibition review
23.03.2019 | Clément Dirié
Judy Chicago: Beyond The Dinner Party
Exhibition review
03.07.2018 | Fanny Verdier
Journey to the Heart of Yin and Yang, with Seundja Rhee
Exhibition review
27.03.2018 | Valentin Gleyze
Sheila Hicks at the Centre Pompidou: On Art as Sharing
Exhibition review
02.12.2017 | Camille Viéville
Élisabeth Ballet at the MAC VAL: Retrospective as Work of Art
Thesis or dissertation abstract
14.10.2017 | Nikoleta Tsagkari
Eroticism in Isabelle Waldberg’s Sculpted Work
Exhibition review
13.09.2017 | Hélène Gheysens
