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Article
20.12.2024 | Iris Ferrer
Brenda Fajardo’s Tarot: Reading the Philippines’ Past, Present and Future
Article
26.07.2024 | Jacqueline Millner
Can we topple an ideology by erecting another statue? Reimaging monuments and feminist memorialising
Article
09.02.2024 | Akiko Mizoguchi & Emalyn
BuBu de la Madeleine’s Mermaid Revolution
Article
21.04.2023 | Yukiko Yokoyama
A History of Western-Style Yōga Painting in Japan and Women Yōga Artists from the Meiji Period to the Pre-War Era
Interview
30.09.2022 | Matylda Taszycka
Mira Schor: The Language of Painting
Article
05.08.2022 | Maia Creus and Maria Lluïsa Faxedas
Fina Miralles, from the idea of art to the art of lived experience
Article
29.04.2022 | Cassandra Levasseur
Women sculptors, public statuary and nationalism
Article
18.01.2020 | Georgina G. Gluzman
María Carmen Portela: art, politics, new women, and social commitment
Thesis or dissertation abstract
04.05.2019 | Margot Eben
Being a woman sculptor in the first half of the 20th century: the case of Claire J. R. Colinet
Article
12.01.2019 | Nathalie Ernoult
Three Scandinavian surrealist women artists in Paris
Exhibition review
06.10.2017 | Hélène Gheysens
Germaine Richier at Mont-Saint-Michel, Marked by Metamorphosis
Thesis or dissertation abstract
05.08.2017 | Anne-Laure Huet
Madeleine Jouvray (1862-1935): a sculptress at the turn of the century
Exhibition review
09.06.2017 | Ève Mouss
Opening of the musée Camille Claudel de Nogent-sur-Seine
Exhibition review
26.02.2017 | Mathilde Hivert
