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20.06.2025 | Euridice Zaituna Kala
Euridice Zaituna Kala: “In Rome, all roads lead to the story of Bertina Lopes – and to our own, that of Mozambique.”
Exhibition review
10.02.2023 | Hadas Kedar
Ruth Dorrit Yacoby: The Door to the Secret Garden
Article
05.08.2022 | Maia Creus and Maria Lluïsa Faxedas
Fina Miralles, from the idea of art to the art of lived experience
Article
08.10.2021 | Maite Garbayo Maetzu and Noemi de Haro García
Artists at the rearguard in the Spanish Pavilion of the Republic (1937)
Article
10.09.2021 | María Laura Rosa
Activism and collaborative strategies for Latin American women artists
Article
17.07.2019 | Amalia Caputo
Tecla Tofano: A Pioneering Feminist Artist in Venezuela
Article
12.06.2019 | Lara Demori
Maternal artivism: a brief overview of Latin American women artists in the eighties
Article
24.02.2019 | Camille Viéville
New Pathways, New Voices. Women Painters and Self-Portraiture in Early 20th Century Europe
Exhibition review
16.02.2018 | Aurélie Arena
The Feminist Avant-Gardes of the 1970s in Karlsruhe: A Manifesto Exhibition
Exhibition review
08.09.2017 | Claire Mead
Dreamers Awake at White Cube Bermondsey
Article
08.06.2017 | Hélène Trespeuch
The feminism of Sherrie Levine through the prism of the supposed “death of the author”
Exhibition review
26.02.2017 | Mathilde Hivert
Louise Bourgeois – Structures of Existence: The Cells
Exhibition review
30.06.2016 | Nathalie Ernoult
Paula Modersohn-Becker: An Intensely Artistic Eye
Article
20.06.2016 | Fabienne Dumont
News About One or Two Witches in France in the 1970s
Exhibition review
19.04.2016 | Milena Páez-Barbat
