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Euridice Zaituna Kala: “In Rome, all roads lead to the story of Bertina Lopes – and to our own, that of Mozambique.”

Yuki Onodera Interview: Photography in Pursuit of Physicality and Materiality

Unveiling Kustiyah, et al.: In constellation to each other

CARING FOR HERITAGE: THE JULIA CHAMBI LÓPEZ ARCHIVES

Brenda Fajardo’s Tarot: Reading the Philippines’ Past, Present and Future

Mónica Millán and the community of weavers of Yataity del Guayrá

Landscapes of War: Women and Art Making in South Kurdistan

Can we topple an ideology by erecting another statue? Reimaging monuments and feminist memorialising

Interview with Anila Quayyum Agha: Pattern is Political

Elena Valera (Bawan Jisbe): Painting Reciprocity with the Land

Experience as an Affective Methodology of Investigation

Women Artists from the Arab World: On the Discourse of Abstraction and Other Misconceptions

African-American Women Artists in French Public Collections: Acquisitions from the 1970s to the Present Day

Fatoş Irwen: Corporeal Forms of Collective Memory

The Power of My Hands – Palms and Fists Raised

Doris Salcedo: From Singular Identity to Collective Historiography

Ishiuchi Miyako: Photography as a Trace

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Articles

Euridice Zaituna Kala: “In Rome, all roads lead to the story of Bertina Lopes – and to our own, that of Mozambique.”

Yuki Onodera Interview: Photography in Pursuit of Physicality and Materiality

Unveiling Kustiyah, et al.: In constellation to each other

CARING FOR HERITAGE: THE JULIA CHAMBI LÓPEZ ARCHIVES

Brenda Fajardo’s Tarot: Reading the Philippines’ Past, Present and Future

Mónica Millán and the community of weavers of Yataity del Guayrá

Landscapes of War: Women and Art Making in South Kurdistan

Can we topple an ideology by erecting another statue? Reimaging monuments and feminist memorialising

Interview with Anila Quayyum Agha: Pattern is Political

Elena Valera (Bawan Jisbe): Painting Reciprocity with the Land

Experience as an Affective Methodology of Investigation

Women Artists from the Arab World: On the Discourse of Abstraction and Other Misconceptions

African-American Women Artists in French Public Collections: Acquisitions from the 1970s to the Present Day

Fatoş Irwen: Corporeal Forms of Collective Memory

The Power of My Hands – Palms and Fists Raised

Doris Salcedo: From Singular Identity to Collective Historiography

Ishiuchi Miyako: Photography as a Trace

Women Artists and the Works of Marta Pan: Plural Trajectories

Archives of Women Artists Research & Exhibitions

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Archives
of Women Artists
Research
& Exhibitions