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Article
20.06.2025 | Euridice Zaituna Kala
Euridice Zaituna Kala: “In Rome, all roads lead to the story of Bertina Lopes – and to our own, that of Mozambique.”
Article
04.04.2025 | Kássia Borges Mytara
To create and heal. The artivism of Brazilian Indigenous women artists
Article
21.03.2025 | Claudia Holgado Chacón
CARING FOR HERITAGE: THE JULIA CHAMBI LÓPEZ ARCHIVES
Article
20.12.2024 | Iris Ferrer
Brenda Fajardo’s Tarot: Reading the Philippines’ Past, Present and Future
Article
16.08.2024 | Sihle Motsa
A Violent Sublime: Noria Mabasa’s Ecological Reckoning
Article
12.07.2024 | Grace Aneiza Ali
Centering Guyanese Women’s Art and Migration Narratives
Article
12.04.2024 | Christelle Lozère
The major role of women artists in the history of art of the French Antilles in the context of slavery and post-slavery
Article
14.09.2023 | Aby Gaye-Duparc
The Gee’s Bend Quilt Collective: a story of the South
Article
18.08.2023 | Raven Manygoats
Native American Women Artists in the Late Twentieth Century
Article
12.05.2023 | Jacqueline Millner
Ecofeminism in Contemporary Art: an Australian Perspective
Article
07.04.2023 | Miguel A. López
Elena Valera (Bawan Jisbe): Painting Reciprocity with the Land
Article
27.01.2023 | Andrea Giunta
Representation and Participation: Indigenous Latin American artists in the Transition between Two Centuries
Article
23.12.2022 | Erin L. McCutcheon
Monumental Interventions: Feminism, Art and Public Resistance in Mexico
Article
04.02.2022 | Fatou Sow Sarr
Women artists and their role in the political struggles of Senegal
Exhibition review
06.08.2021 | Louise Thurin
The Power of My Hands – Palms and Fists Raised
Article
10.03.2021 | Gabriela Salgado
With the kings’ permission – Bisi Silva
Article
15.12.2018 | Judith Rottenburg
Younousse Seye: The Making of a Pan-African Woman Artist in Post-Independence Senegal
Exhibition review
15.07.2018 | Adiva Lawrence
