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Interview
30.09.2022 | Matylda Taszycka
Mira Schor: The Language of Painting
Article
23.09.2022 | María Laura Rosa
Experience as an Affective Methodology of Investigation
Article
09.09.2022 | Vesna Vuković
The Feminist Dowry of Dunja Blažević
Article
05.08.2022 | Maia Creus and Maria Lluïsa Faxedas
Fina Miralles, from the idea of art to the art of lived experience
Interview
22.07.2022 | Marion Vignal
Danièle Kapel-Marcovici, the art of commitment
Article
08.07.2022 | Nadia Radwan
Women Artists from the Arab World: On the Discourse of Abstraction and Other Misconceptions
Interview
24.06.2022 | Marion Vignal
Women artists through the eyes of Floriane de Saint Pierre
Article
03.06.2022 | Sujin Kim
Soun Gui Kim, a Korean Artist in France: Art as a Form of Resistance
Article
20.05.2022 | Sarah Lolley
Pioneers: Paula Boi-Gony, Yvette Bouquet, Micheline Néporon and Denise Tiavouane
Article
05.05.2022 | Kelly-Christina Grant
African-American Women Artists in French Public Collections: Acquisitions from the 1970s to the Present Day
Article
29.04.2022 | Cassandra Levasseur
Women sculptors, public statuary and nationalism
Exhibition review
22.04.2022 | Adélie Leguen
New Time: Art and Feminisms in the 21st Century
Exhibition review
25.03.2022 | Garance Malivel
Uninvited: Canadian Women Artists in the Modern Movement
Interview
11.03.2022 | Beatriz González & Carolina Ariza
Beatriz González: From the Dismantling of Universal Iconography to Provincial Singularity
Article
18.02.2022 | Isabelle Alfonsi
Should We Still Be Laying Claim to the Word “Woman”?
Article
04.02.2022 | Fatou Sow Sarr
Women artists and their role in the political struggles of Senegal
Exhibition review
21.01.2022 | Jacqueline Millner
Know My Name: Australian Women Artists 1900 to Now
Interview
07.01.2022 | Fatoş Irwen & Ceren Özpınar
