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Article
23.07.2021 | Andrea Giunta
Afro-Brazilian artists in the transition between two centuries
Article
09.07.2021 | Jacqueline Millner
Care and Art
Article
10.03.2021 | Gabriela Salgado
With the kings’ permission – Bisi Silva
Article
13.12.2020 | Mae-ling Lokko
Worldforming by Ghanaian Women in Architecture
Interview
31.10.2020 | Doris Salcedo & Carolina Ariza
Doris Salcedo: From Singular Identity to Collective Historiography
Article
19.09.2020 | Julia Hartmann
Nudes in 1920s China: Emancipation and Agency in the Works of Female Artists
Interview
11.07.2020 | Anaïs Roesch & Matylda Taszycka
Ishiuchi Miyako: Photography as a Trace
Article
21.06.2020 | Paul Narjoz-Delatour
The Evolution of the Artistic Portrayal of Women by Chinese Female Artists in the 20th Century
Exhibition review
07.06.2020 | Anaïs Roesch
“What may ultimate reality be?”
Thesis or dissertation abstract
10.05.2020 | Anna Zielazny
Between socialism and capitalism: woman’s body in the art of Sanja Iveković, Orshi Drozdik and Eglė Rakauskaitė
Exhibition review
03.05.2020 | Léa Pagnier
I’M NOT A NICE GIRL!: An Unequivocal Homage to the Female Pioneers of Conceptual Art
Exhibition review
26.04.2020 | Valentin Gleyze
Claudia Andujar: Photographing As We Struggle
Exhibition review
18.04.2020 | Mathilde Bartier
Women Artists in the Face of Abstraction at the Musée Soulages
Article
15.04.2020 | Gina McDaniel Tarver
“The vision to demand that which is good” : Alicia Barney, María Evelia Marmolejo and the origins of Colombian eco-art
Exhibition review
11.04.2020 | Juliette Milbach
Pacita Abad: Commitment to the Studio
Exhibition review
22.02.2020 | Adélie Le Guen
Variations of Perception in Dóra Maurer’s Work
Exhibition review
14.02.2020 | Matylda Taszycka
Hand-to-hand with Miriam Cahn
Exhibition review
26.01.2020 | Adiva Lawrence
