Tait, Peta, ‘Performing Ghosts, Emotions, and Sensory Environments’, in Stevens, Lara, Tait, Peta and Varney, Denise (eds), Feminist Ecologies: Changing Environments in the Anthropocene, London, Palgrave Macmillan, 2017→
Marsh, Anne, Performance, Ritual, Document, Melbourne, Macmillan Publishers, 2014→
Marsh, Anne, ‘The “I” in the Gaze: aspects of the body and the self in performance works by Jill Orr’, in Jill Orr: Performance Documentation 1978-1988, Melbourne, The Australian Centre for Contemporary Art, 1989
The Promised Land Venice, Venice International Performance Art Week, Venice, December 2012→
Lunch with the Birds (photographs), The Beach, Heide Museum of Modern Art, Melbourne, 1994→
Bleeding Trees (performance), Sydney Biennale, Art Gallery of New South Wales & Powerhouse Museum, Sydney, April-May 1979
Australian performance artist.
A notice produced as part of the TEAM international academic network: Teaching, E-learning, Agency and Mentoring