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Exhibition review
25.03.2022 | Garance Malivel
Uninvited: Canadian Women Artists in the Modern Movement
Interview
22.10.2021 | Amelia Jones
Amelia Jones in dialogue with Nancy Buchanan, “Truly for Real”
Interview
24.09.2021 | Miller Schulman
Lucha/Libre: Lourdes Grobet and the radical reframing of 20th-century Mexico
Article
10.09.2021 | María Laura Rosa
Activism and collaborative strategies for Latin American women artists
Exhibition review
07.06.2020 | Anaïs Roesch
“What may ultimate reality be?”
Exhibition review
03.05.2020 | Léa Pagnier
I’M NOT A NICE GIRL!: An Unequivocal Homage to the Female Pioneers of Conceptual Art
Exhibition review
18.04.2020 | Mathilde Bartier
Women Artists in the Face of Abstraction at the Musée Soulages
Exhibition review
26.01.2020 | Adiva Lawrence
Betye Saar, from assemblage to resistance
Exhibition review
13.10.2019 | Mathilde Bartier
Helen Frankenthaler: the triumph of colour
Article
07.09.2019 | Madeline Murphy Turner
The Archival Impulse: Magali Lara and Carmen Boullosa’s Collaborative Artists’ Books
Exhibition review
22.06.2019 | Mathilde Bartier
Takako Saito: playful art
Exhibition review
09.06.2019 | Mathilde Hivert
Simone Fattal: Unearthed History
Exhibition review
23.03.2019 | Clément Dirié
Judy Chicago: Beyond The Dinner Party
Exhibition review
09.03.2019 | Vanessa Noizet
Ellen Gallagher, black, blue, aqueous
Exhibition review
20.10.2018 | Camille Viéville
Frida Kahlo: Invention of the Self, Invention of the Oeuvre
Thesis or dissertation abstract
07.10.2018 | Pauline Duverger
Joan Semmel and Sylvia Sleigh: Two Feminist Views on Male Intimacy
Thesis or dissertation abstract
25.05.2018 | Hélène Gheysens
Pierre Restany and Women Artists
Thesis or dissertation abstract
21.04.2018 | Jeanne Mathas
