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Article
20.06.2025 | Euridice Zaituna Kala
Euridice Zaituna Kala: “In Rome, all roads lead to the story of Bertina Lopes – and to our own, that of Mozambique.”
Article
11.10.2024 | N’Goné Fall
Paving the way: Women artists and Independence in Africa
Article
16.08.2024 | Sihle Motsa
A Violent Sublime: Noria Mabasa’s Ecological Reckoning
Article
08.07.2022 | Nadia Radwan
Women Artists from the Arab World: On the Discourse of Abstraction and Other Misconceptions
Article
04.02.2022 | Fatou Sow Sarr
Women artists and their role in the political struggles of Senegal
Article
20.08.2021 | Aurella Yussuf
The Women of the British Black Arts Movement
Exhibition review
06.08.2021 | Louise Thurin
The Power of My Hands – Palms and Fists Raised
Article
10.03.2021 | Gabriela Salgado
With the kings’ permission – Bisi Silva
Article
13.12.2020 | Mae-ling Lokko
Worldforming by Ghanaian Women in Architecture
Exhibition review
26.10.2019 | Valentin Gleyze
Women Artists and the Works of Marta Pan: Plural Trajectories
Article
15.12.2018 | Judith Rottenburg
Younousse Seye: The Making of a Pan-African Woman Artist in Post-Independence Senegal
Article
08.09.2018 | Émilie Goudal
Warding off Disappearance, Getting Beyond Icons: The (Counter-)Visuality of Algerian Women
Exhibition review
15.07.2018 | Adiva Lawrence
Otobong Nkanga: Memory Constellations
Interview
10.12.2017 | N'Goné Fall & Élise Atangana
N’Goné Fall: “Connecting yesterday, today and tomorrow”
Thesis or dissertation abstract
02.10.2017 | Nadine Atallah
Women, art and the nation. History of the exhibitions of two Egyptian women artists, from the 1950s to the present day: Inji Efflatoun and Gazbia Sirry
Exhibition review
22.09.2017 | Marie Perennès
Zanele Muholi, photographing to resist
Exhibition review
29.11.2016 | Mathilde Hivert
