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Writing
Research
100
Interviews
20
Review
88
Artistic Movements
Geometric abstraction
2
Lyrical abstraction
2
Conceptual art
9
Fauvism
1
[Artist collectives]
15
Subjects
Abstraction
23
Allegory
14
Autobiography
12
Political issues
57
Social classes
7
Women's status
62
Consumerism
8
Cosmos
3
Colour
14
Discriminations
36
Documentary
6
Feminism
54
Geometry
8
War & conflicts
25
History
44
Identity
26
Intimacy
13
Irony
12
Play
2
Language
14
Light
2
Media
7
Memory
31
Human migration
11
Nation
5
Nature
23
Nude
22
Landscape
17
Postcolonialism
21
Religion & spirituality
12
Traditions
24
Work
9
Everyday life
29
Mediums
Applied arts
18
Graphic arts
90
Watercolour
14
Collage
9
Dessin (ink, pencil…)
36
Engraving & etching
8
Illustration
6
Artist book
8
Journal
8
Audiovisual
40
Video
23
Installation
78
Assemblage
12
Environment
6
Light installation
2
[Modes]
19
Site-specific
10
Painting
97
Acrylic
10
Oil
29
Tempera
1
Performance
31
Photography
53
Analogue photography
20
Digital photography
7
Sculpture
42
Paper & cardboard
2
Textile
26
Embroidery
7
Countries
Africa
16
Egypt
3
Central America and the Caribbean
2
North America
58
United States
51
South America
30
Argentina
9
Brazil
11
Asia
24
China
4
South Korea
3
Europe
132
Bosnia-Herzegovina
1
Croatia
2
Spain
7
France
69
Iceland
2
North Macedonia
1
Montenegro
1
Serbia
1
Slovenia
1
Sweden
2
Switzerland
7
Middle East
14
Jordan
2
Lebanon
3
Palestine
2
Turkey
5
Oceania
7
Periods of
activity
17th century
1
18th century
3
19th century
15
20th century
171
1900s
11
1950s
30
1960s
58
1970s
100
1980s
103
1990s
92
21st century
122
2000s
90
2010s
104
2020s
49
Programmes
— Southeast Asian Women Artists, in collaboration with Asia Art Archive
3
Article
20.12.2024 | Iris Ferrer
Brenda Fajardo’s Tarot: Reading the Philippines’ Past, Present and Future
Interview
30.09.2022 | Matylda Taszycka
Mira Schor: The Language of Painting
Article
09.09.2022 | Vesna Vuković
The Feminist Dowry of Dunja Blažević
Article
08.07.2022 | Nadia Radwan
Women Artists from the Arab World: On the Discourse of Abstraction and Other Misconceptions
Article
03.06.2022 | Sujin Kim
Soun Gui Kim, a Korean Artist in France: Art as a Form of Resistance
Article
10.12.2021 | Doris Sung
Chinese Women Artists in the Early Twentieth Century
Article
17.11.2019 | Maggie Borowitz
Anything or Nothing: Mira Schendel’s
Droguinhas
Thesis or dissertation abstract
09.12.2018 | Ana Bordenave
The
Sorcières
Review (1975-1982): a space for for feminist representation marrying the visual arts and litterature
Exhibition review
07.07.2018 | Hélène Gheysens
Lea Lublin: Radical Iconoclast
Exhibition review
27.12.2016 | Mathilde Bartier
Etel Adnan at the Arab World Institute
Article
04.10.2016 | Annalisa Rimmaudo
Yoko Ono and the poetics of ephemerality
Article
31.08.2016 | Marjorie Micucci
Roni Horn and her literary doubles
Exhibition review
09.05.2016 | Mathilde Hivert
Nil Yalter: Pictures and Words Speaking Ill
Exhibition review
27.04.2016 | Nathalie Ernoult
Agnès Thurnauer : Préfigurer
Exhibition review
30.11.2015 | Nathalie Ernoult
Hilma af Klint : la mère de l’abstraction
Archives
of Women Artists
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& Exhibitions
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