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History
Research
99
Interviews
20
Review
88
Artistic Movements
Geometric abstraction
2
Lyrical abstraction
2
Academic art
1
Outsider art
2
Conceptual art
9
Body art
1
Naïve art
1
[Artist collectives]
14
Subjects
Abstraction
23
Allegory
14
Animals
16
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11
Autobiography
12
Self-portrait
26
Political issues
57
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7
Women's status
62
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68
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3
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14
Discriminations
36
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6
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13
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15
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8
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9
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13
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54
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8
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25
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16
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26
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4
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13
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2
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14
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2
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14
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7
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31
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11
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4
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5
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5
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23
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22
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17
Portrait
35
Postcolonialism
21
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12
Religion & spirituality
12
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9
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10
Traditions
24
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9
Domestic work
8
Vegetal
9
Everyday life
29
Violence
18
Lesbian visibility
3
Trans visibility
5
Mediums
Applied arts
18
Ceramic
9
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2
Graphic arts
90
Poster
2
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14
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9
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36
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8
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6
Artist book
8
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6
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2
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39
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9
Sound
4
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23
Installation
78
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3
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12
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6
Light installation
2
[Modes]
19
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3
Site-specific
10
Monumental
11
Painting
97
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10
Mural
1
Gouache
5
Oil
29
Tempera
1
Performance
30
Photography
53
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20
Digital photography
7
Photojournalism
2
Historical techniques
4
Sculpture
42
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1
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5
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2
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4
Clay
2
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26
Embroidery
7
Weaving
7
Countries
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16
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3
Algeria
3
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3
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3
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4
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2
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1
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57
United States
50
Mexico
8
South America
30
Argentina
9
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11
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4
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4
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1
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6
Uruguay
2
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24
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1
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2
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1
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10
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2
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3
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132
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1
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20
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6
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6
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4
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69
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6
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1
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13
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3
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4
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24
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14
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4
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2
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3
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2
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5
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7
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6
Periods of
activity
17th century
1
18th century
3
1710s
3
1720s
3
1730s
3
1740s
3
1750s
3
1760s
3
1770s
3
1780s
3
1790s
3
19th century
15
1800s
1
1810s
1
1820s
1
1830s
2
1850s
2
1860s
3
1870s
3
1880s
6
1890s
8
20th century
170
1900s
11
1910s
14
1920s
19
1930s
24
1940s
22
1950s
30
1960s
57
1970s
99
1980s
103
1990s
92
21st century
122
2000s
90
2010s
104
2020s
49
Programmes
— 18th-Century Women Artists
2
— Women Artists in Japan, 19th–21st c.
6
— Rewriting Art History in the Americas
8
— Southeast Asian Women Artists, in collaboration with Asia Art Archive
3
— TEAM: Teaching, E-learning, Agency, Mentoring
14
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Article
21.03.2025 | Claudia Holgado Chacón
CARING FOR HERITAGE: THE JULIA CHAMBI LÓPEZ ARCHIVES
Article
07.03.2025 | Nora Annesley Taylor
Southeast Asia’s First Independent Art Spaces and the Legacy of Pioneering Women Artists and Scholars from Europe and the United States
Article
24.01.2025 | Andrei Fernández
Silät. The flickering of fabric
Article
20.12.2024 | Iris Ferrer
Brenda Fajardo’s Tarot: Reading the Philippines’ Past, Present and Future
Article
16.08.2024 | Sihle Motsa
A Violent Sublime: Noria Mabasa’s Ecological Reckoning
Article
02.08.2024 | Idit Suslik
Material Girls: Performative Corporeality in the Works of Three Pioneer Israeli Artists of the 1970s – Yocheved Weinfeld, Efrat Natan and Adina Bar-On
Article
26.07.2024 | Jacqueline Millner
Can we topple an ideology by erecting another statue? Reimaging monuments and feminist memorialising
Article
12.07.2024 | Grace Aneiza Ali
Centering Guyanese Women’s Art and Migration Narratives
Article
12.04.2024 | Christelle Lozère
The major role of women artists in the history of art of the French Antilles in the context of slavery and post-slavery
Article
26.01.2024 | Paris A. Spies-Gans
Restricted, but not Deterred: How Women Became Artists in the Rulebound Eighteenth Century
Interview
12.01.2024 | María Laura Rosa
“For women, the exercise of political power is an unfulfilled project”: Natalia Iguiñiz and feminist activism in Peru
Interview
30.06.2023 | Nadia Radwan
Interview with Anila Quayyum Agha: Pattern is Political
Article
21.04.2023 | Yukiko Yokoyama
A History of Western-Style Yōga Painting in Japan and Women Yōga Artists from the Meiji Period to the Pre-War Era
Exhibition review
10.02.2023 | Hadas Kedar
Ruth Dorrit Yacoby: The Door to the Secret Garden
Article
27.01.2023 | Andrea Giunta
Representation and Participation: Indigenous Latin American artists in the Transition between Two Centuries
Article
23.09.2022 | María Laura Rosa
Experience as an Affective Methodology of Investigation
Article
08.07.2022 | Nadia Radwan
Women Artists from the Arab World: On the Discourse of Abstraction and Other Misconceptions
Article
05.05.2022 | Kelly-Christina Grant
African-American Women Artists in French Public Collections: Acquisitions from the 1970s to the Present Day
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