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Article
20.06.2025 | Euridice Zaituna Kala
Euridice Zaituna Kala: “In Rome, all roads lead to the story of Bertina Lopes – and to our own, that of Mozambique.”
Article
18.04.2025 | Daria Mille
Experiments in Art and Technology (E.A.T.): Participation of women artists
Article
08.11.2024 | María Laura Rosa
Mónica Millán and the community of weavers of Yataity del Guayrá
Article
13.09.2024 | Sonia D’Alto
Le Nemesiache: Reclaiming Mythological Rituals
Article
23.02.2024 | Concepción Cortés Zulueta
María Jerez & Silvia Zayas: Artists & Animals, Caring About Non-Human Voices
Article
09.02.2024 | Akiko Mizoguchi & Emalyn
BuBu de la Madeleine’s Mermaid Revolution
Article
01.12.2023 | Jacqueline Millner
Unbridled Abundance: Contemporary Feminist Art and Ageing
Article
27.10.2023 | Natalia Sielewicz
Feminist Cruelties. Agency and Politics of the Pain in the Work of Alyona Tokovenko and AntiGonna
Article
12.05.2023 | Jacqueline Millner
Ecofeminism in Contemporary Art: an Australian Perspective
Interview
16.03.2023 | Ewa Giezek
Learning How to Deal with Traumas with Martha Wilson’s Joy
Article
03.06.2022 | Sujin Kim
Soun Gui Kim, a Korean Artist in France: Art as a Form of Resistance
Article
05.05.2022 | Kelly-Christina Grant
African-American Women Artists in French Public Collections: Acquisitions from the 1970s to the Present Day
Exhibition review
22.04.2022 | Adélie Leguen
New Time: Art and Feminisms in the 21st Century
Interview
22.10.2021 | Amelia Jones
Amelia Jones in dialogue with Nancy Buchanan, “Truly for Real”
Exhibition review
06.08.2021 | Louise Thurin
The Power of My Hands – Palms and Fists Raised
Article
09.07.2021 | Jacqueline Millner
Care and Art
Thesis or dissertation abstract
10.05.2020 | Anna Zielazny
Between socialism and capitalism: woman’s body in the art of Sanja Iveković, Orshi Drozdik and Eglė Rakauskaitė
Exhibition review
22.02.2020 | Adélie Le Guen
