Articles
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Article
27.09.2024 | Isabel Käser and Houzan Mahmoud
Landscapes of War: Women and Art Making in South Kurdistan
Article
02.08.2024 | Idit Suslik
Material Girls: Performative Corporeality in the Works of Three Pioneer Israeli Artists of the 1970s – Yocheved Weinfeld, Efrat Natan and Adina Bar-On
Article
12.07.2024 | Grace Aneiza Ali
Centering Guyanese Women’s Art and Migration Narratives
Article
23.02.2024 | Concepción Cortés Zulueta
María Jerez & Silvia Zayas: Artists & Animals, Caring About Non-Human Voices
Article
09.02.2024 | Akiko Mizoguchi & Emalyn
BuBu de la Madeleine’s Mermaid Revolution
Article
01.12.2023 | Jacqueline Millner
Unbridled Abundance: Contemporary Feminist Art and Ageing
Article
27.10.2023 | Natalia Sielewicz
Feminist Cruelties. Agency and Politics of the Pain in the Work of Alyona Tokovenko and AntiGonna
Interview
16.03.2023 | Ewa Giezek
Learning How to Deal with Traumas with Martha Wilson’s Joy
Article
27.01.2023 | Andrea Giunta
Representation and Participation: Indigenous Latin American artists in the Transition between Two Centuries
Article
23.09.2022 | María Laura Rosa
Experience as an Affective Methodology of Investigation
Interview
07.01.2022 | Fatoş Irwen & Ceren Özpınar
Fatoş Irwen: Corporeal Forms of Collective Memory
Interview
22.10.2021 | Amelia Jones
Amelia Jones in dialogue with Nancy Buchanan, “Truly for Real”
Article
10.09.2021 | María Laura Rosa
Activism and collaborative strategies for Latin American women artists
Thesis or dissertation abstract
10.05.2020 | Anna Zielazny
Between socialism and capitalism: woman’s body in the art of Sanja Iveković, Orshi Drozdik and Eglė Rakauskaitė
Article
15.04.2020 | Gina McDaniel Tarver
“The vision to demand that which is good” : Alicia Barney, María Evelia Marmolejo and the origins of Colombian eco-art
Exhibition review
09.11.2019 | Elena Cardin
Maria Lai: The Infinite Thread of Imagination
Exhibition review
15.09.2019 | Adélie Le Guen
The metamorphoses of Rebecca Horn: Between dreaminess, spirituality, and surrealism
Exhibition review
22.06.2019 | Mathilde Bartier
