Anna Maria Maiolino

1942 | Scalea, Italy
Informations
Anna Maria Maiolino — AWARE Women artists / Femmes artistes

Courtesy Galleria Raffaella Cortese

Sponsor
— Galleria Raffaela Cortese

Brazilian visual artist.

Since the beginning of the 1960s, Italian-born Anna Maria Maiolino has been evoking her own exile and echoing Brazilian social and political conditions through her art. In 1954, she immigrated to Venezuela, and in 1960 she enrolled in the Escola Nacional de Belas Artes (School of Fine Arts) in Rio de Janeiro. Her first experiences with visual arts questioned the notions of language and censorship, of gender and body. By participating in the Brazilian “New Figuration” movement, she rejected the principles governing abstract art, while contesting government policy. In 1967, the “New Brazilian Objectivity” exhibition showed her work alongside that of Lygia Clark and Hélio Oiticica. With her series of engravings, such as A Viagem (The Trip, 1966), she condemned oppression and censorship in her country. In 1968, after obtaining Brazilian citizenship, she worked in New York, where she discovered minimal and conceptual art. She then began the Mapas mentais (Mental Maps, 1971-1976) series, where a grid enabled her to display common nouns, such as “death,” “art,” “poetry…”

It was also at this time that the artist combined drawing and sculpture in works like Buraco preto (Black Hole, 1974) from the Os Buracos/Desenhos Objetos (Holes/Drawing Objects) series; the paper sculptures she created are truly three-dimensional. Additionally, she executed her first performances and made her first films using her body as a medium for social and political criticism: In-Out Antropofagia (1973), a Super 8 film, or De para (From to, 1974), a “photopoemaction” in which she wrapped a ribbon around her head in order to condemn the silence to which women are coerced in contemporary society. She returned to Rio de Janeiro in 1989. Looking to create a real interaction between her art and life beyond the walls of her studio, Maiolino explored new mediums and introduced clay into her creative process, inscribing in matter and in time the traces of her actions. Her devices, neither completely conceptual nor minimalist, enact a constant transcription of discourse between art and reality. In 2010, her works were exhibited at the Camden Arts Centre in London and the Mind and Matter: Abstractions, 1940s to Now group exhibition at the Museum of Modern Art in New York.

Read more

Chantal Béret

Translated from French by Toby Cayouette.

From the Dictionnaire universel des créatrices
© 2013 Des femmes – Antoinette Fouque
© Archives of Women Artists, Research and Exhibitions
Anna Maria Maiolino — AWARE Women artists / Femmes artistes

Anna Maria Maiolino, Na Horizontal [On the Horizontal], 2014, metal base with raku ceramic and shielded copper wire, 20 × 120 cm, Courtesy the artist and Galleria Raffaella Cortese, Milano

Anna Maria Maiolino — AWARE Women artists / Femmes artistes

Anna Maria Maiolino, Por um Fio from Photo-poem-action series, 1976-2010, Black and White photograph and analogical print, 52 × 79 cm, Courtesy the artist and Galleria Raffaella Cortese, Milano

Anna Maria Maiolino — AWARE Women artists / Femmes artistes

Anna Maria Maiolino, É o que Sobra [What is Left], from Photopoemaction series, 1974/2010, black and white photographs and digital print, 62 × 153 cm, Courtesy the artist and Galleria Raffaella Cortese, Milano

Anna Maria Maiolino — AWARE Women artists / Femmes artistes

Anna Maria Maiolino, Entrevidas [Between Lives], from Photopoemaction series, 1981/2010, Black and white photographs and digital print, 88 × 56 cm, Courtesy the artist and Galleria Raffaella Cortese, Milano

Anna Maria Maiolino — AWARE Women artists / Femmes artistes

Anna Maria Maiolino, In-Out (antropofagia), from Photo-poem-action series, 1973-2000, 6 black and white photographs and digital print, 25 × 38 cm, Courtesy the artist and Galleria Raffaella Cortese, Milano

Anna Maria Maiolino — AWARE Women artists / Femmes artistes

Anna Maria Maiolino, Untitled, from Codificações Matericas series, 1995, acrylic on paper, 73.5 × 35.5 cm, Courtesy the artist and Galleria Raffaella Cortese, Milano

Anna Maria Maiolino — AWARE Women artists / Femmes artistes

Anna Maria Maiolino, Sou um em Oito [I am one in eight], 2012, ceramic piece in cement base on metal table, 60 × 25 × 28 cm, Courtesy the artist and Galleria Raffaella Cortese, Milano

Anna Maria Maiolino — AWARE Women artists / Femmes artistes

Anna Maria Maiolino, Untitled, from Entre o Dentro e o Fora [Between Inside and Outside] series, 2014, molded cement on metal table, 42 × 32 × 40 cm, Courtesy the artist and Galleria Raffaella Cortese, Milano

Anna Maria Maiolino — AWARE Women artists / Femmes artistes

Anna Maria Maiolino, Untitled, 2015, raku ceramic pieces, 182 × 360 ×10 cm (28 pieces of ⌀ 10 cm), 4 vertical pieces, Courtesy the artist and Galleria Raffaella Cortese, Milano

Magazine
Linked article
Explore
Linked theme
Artists
Discover other artists

Archives
of Women Artists
Research
& Exhibitions

Facebook - AWARE Twitter - AWARE Instagram - AWARE
110 boulevard Saint Germain 75006 Paris (France) — info[at]aware-art[.]org — +33 (0)1 55 26 90 29