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05.08.2022 | Maia Creus and Maria Lluïsa Faxedas

Fina Miralles, from the idea of art to the art of lived experience

Fina Miralles (born 1950, Sabadell) is internationally known for her work associated with the var... Read more

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08.07.2022 | Nadia Radwan

Women Artists from the Arab World: On the Discourse of Abstraction and Other Misconceptions

The years 2021 and 2022 have sadly witnessed the loss of three monuments of modern art from the A... Read more

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03.06.2022 | Sujin Kim

Soun Gui Kim, a Korean Artist in France: Art as a Form of Resistance

Soun Gui Kim is a French artist, born in South Korea, who has lived in France since 1971. Born in... Read more

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20.05.2022 | Sarah Lolley

Pioneers: Paula Boi-Gony, Yvette Bouquet, Micheline Néporon and Denise Tiavouane

The Professionalisation Processes and Emancipatory Strategies of Four Kanak women Artists in New ... Read more

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05.05.2022 | Kelly-Christina Grant

African-American Women Artists in French Public Collections: Acquisitions from the 1970s to the Present Day

Long under-represented in art history, African-American women artists have enjoyed increased visi... Read more

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29.04.2022 | Cassandra Levasseur

Women sculptors, public statuary and nationalism

The second half of the 19th century, with the regimes of the Second Empire (1852-1870) and the Th... Read more

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04.02.2022 | Fatou Sow Sarr

Women artists and their role in the political struggles of Senegal

Senegalese women have always positioned themselves at the heart of political negotiations. Under ... Read more

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24.12.2021 | Somayeh Noori Shirazi

Haptic Visuality and Experience: Embodied Ways of Seeing in Ghazaleh Hedayat’s Artworks

In a series of photographs and assemblages produced between 2008 and 2019, Iranian visual artist ... Read more

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10.12.2021 | Doris Sung

Chinese Women Artists in the Early Twentieth Century

This article gives an overview of Chinese women’s contribution to the art reform and the changing... Read more

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26.11.2021 | Sofie Normann Christensen

The Danish Women Artists’ Retrospective Exhibition in Copenhagen, 1920

Since the 1960s and 1970s there has been a growing tendency to produce exhibitions featuring excl... Read more

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08.10.2021 | Maite Garbayo Maetzu and Noemi de Haro García

Artists at the rearguard in the Spanish Pavilion of the Republic (1937)

Manuela Ballester, Francis Bartolozzi and Juana Francisa Rubio. Read more

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10.09.2021 | María Laura Rosa

Activism and collaborative strategies for Latin American women artists

Activism and collaborative strategies for Latin American women artists: Estado de emergencia [Sta... Read more

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20.08.2021 | Aurella Yussuf

The Women of the British Black Arts Movement

The early 1980s ushered in a politically charged era among Black visual artists in Britain. Artis... Read more

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23.07.2021 | Andrea Giunta

Afro-Brazilian artists in the transition between two centuries

While Latin American art has achieved growing recognition since the 1990s, basically as a result ... Read more

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09.07.2021 | Jacqueline Millner

Care and Art

As an art theorist, writer and educator, I came to care ethics as a way to think through the rela... Read more

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10.03.2021 | Gabriela Salgado

With the kings’ permission

Olabisi Obafunke Silva (1962-2019) was a renowned curator of contemporary art, both in Africa and... Read more

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13.12.2020 | Mae-ling Lokko

Worldforming by Ghanaian Women in Architecture

For three generations of women born between Ghana’s independence in 1957 and the turn of the cent... Read more

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19.09.2020 | Julia Hartmann

Nudes in 1920s China: Emancipation and Agency in the Works of Female Artists

On 10 April 1929, the First National Art Exhibition opened to the public in Shanghai and manifest... Read more