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27.01.2023 | Andrea Giunta

Representation and Participation: Indigenous Latin American artists in the Transition between Two Centuries

This article’s title is taken from the title of a piece by Rosana Paulino (b. 1967), an Afro-Braz... Read more

Article

23.12.2022 | Erin L. McCutcheon

Monumental Interventions: Feminism, Art and Public Resistance in Mexico

On 25 September 2021, feminist activists ascended the empty plinth once occupied by a monument de... Read more

Article

11.11.2022 | Osnat Zukerman Rechter

Elisheva Cohen and Ayala Gordon: Museology as a Social Challenge

Elisheva Cohen and Ayala Gordon were active at the Israel Museum of Jerusalem in the second half ... Read more

Article

23.09.2022 | María Laura Rosa

Experience as an Affective Methodology of Investigation

“There is a living history dwelling within each and every one of us, comprised of memories,... Read more

Article

09.09.2022 | Vesna Vuković

The Feminist Dowry of Dunja Blažević

On the contemporary art scenes of the countries of post-socialist-Yugoslavia there is consensus o... Read more

Article

05.08.2022 | Maia Creus and Maria Lluïsa Faxedas

Fina Miralles, from the idea of art to the art of lived experience

Fina Miralles (born 1950, Sabadell) is internationally known for her work associated with the var... Read more

Article

08.07.2022 | Nadia Radwan

Women Artists from the Arab World: On the Discourse of Abstraction and Other Misconceptions

The years 2021 and 2022 have sadly witnessed the loss of three monuments of modern art from the A... Read more

Article

03.06.2022 | Sujin Kim

Soun Gui Kim, a Korean Artist in France: Art as a Form of Resistance

Soun Gui Kim is a French artist, born in South Korea, who has lived in France since 1971. Born in... Read more

Article

20.05.2022 | Sarah Lolley

Pioneers: Paula Boi-Gony, Yvette Bouquet, Micheline Néporon and Denise Tiavouane

The Professionalisation Processes and Emancipatory Strategies of Four Kanak women Artists in New ... Read more

Article

05.05.2022 | Kelly-Christina Grant

African-American Women Artists in French Public Collections: Acquisitions from the 1970s to the Present Day

Long under-represented in art history, African-American women artists have enjoyed increased visi... Read more

Article

29.04.2022 | Cassandra Levasseur

Women sculptors, public statuary and nationalism

The second half of the 19th century, with the regimes of the Second Empire (1852-1870) and the Th... Read more

Article

18.02.2022 | Isabelle Alfonsi

Should We Still Be Laying Claim to the Word “Woman”?

“If the female function is not enough to define woman, and if we also reject the explanation of t... Read more

Article

04.02.2022 | Fatou Sow Sarr

Women artists and their role in the political struggles of Senegal

Senegalese women have always positioned themselves at the heart of political negotiations. Under ... Read more

Article

24.12.2021 | Somayeh Noori Shirazi

Haptic Visuality and Experience: Embodied Ways of Seeing in Ghazaleh Hedayat’s Artworks

In a series of photographs and assemblages produced between 2008 and 2019, Iranian visual artist ... Read more

Article

10.12.2021 | Doris Sung

Chinese Women Artists in the Early Twentieth Century

This article gives an overview of Chinese women’s contribution to the art reform and the changing... Read more

Article

26.11.2021 | Sofie Normann Christensen

The Danish Women Artists’ Retrospective Exhibition in Copenhagen, 1920

Since the 1960s and 1970s there has been a growing tendency to produce exhibitions featuring excl... Read more

Article

08.10.2021 | Maite Garbayo Maetzu and Noemi de Haro García

Artists at the rearguard in the Spanish Pavilion of the Republic (1937)

Manuela Ballester, Francis Bartolozzi and Juana Francisa Rubio. Read more

Article

10.09.2021 | María Laura Rosa

Activism and collaborative strategies for Latin American women artists

Activism and collaborative strategies for Latin American women artists: Estado de emergencia [Sta... Read more