Articles
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Article
08.07.2022 | Nadia Radwan
Women Artists from the Arab World: On the Discourse of Abstraction and Other Misconceptions
Article
18.02.2022 | Isabelle Alfonsi
Should We Still Be Laying Claim to the Word “Woman”?
Article
04.02.2022 | Fatou Sow Sarr
Women artists and their role in the political struggles of Senegal
Article
10.12.2021 | Doris Sung
Chinese Women Artists in the Early Twentieth Century
Interview
12.11.2021 | Mai Dengsøe
On Identity, War, Feminism and the Autobiographical Method in Ursula Reuter Christiansen’s Practice
Interview
24.09.2021 | Miller Schulman
Lucha/Libre: Lourdes Grobet and the radical reframing of 20th-century Mexico
Article
10.09.2021 | María Laura Rosa
Activism and collaborative strategies for Latin American women artists
Article
19.09.2020 | Julia Hartmann
Nudes in 1920s China: Emancipation and Agency in the Works of Female Artists
Article
21.06.2020 | Paul Narjoz-Delatour
The Evolution of the Artistic Portrayal of Women by Chinese Female Artists in the 20th Century
Thesis or dissertation abstract
10.05.2020 | Anna Zielazny
Between socialism and capitalism: woman’s body in the art of Sanja Iveković, Orshi Drozdik and Eglė Rakauskaitė
Exhibition review
03.05.2020 | Léa Pagnier
I’M NOT A NICE GIRL!: An Unequivocal Homage to the Female Pioneers of Conceptual Art
Article
18.01.2020 | Georgina G. Gluzman
María Carmen Portela: art, politics, new women, and social commitment
Exhibition review
15.09.2019 | Adélie Le Guen
The metamorphoses of Rebecca Horn: Between dreaminess, spirituality, and surrealism
Article
07.09.2019 | Madeline Murphy Turner
The Archival Impulse: Magali Lara and Carmen Boullosa’s Collaborative Artists’ Books
Exhibition review
31.08.2019 | Mathilde Bartier
Delphine Seyrig, the unbowed
Article
17.07.2019 | Amalia Caputo
Tecla Tofano: A Pioneering Feminist Artist in Venezuela
Thesis or dissertation abstract
06.04.2019 | Karolina Wilczyńska
Trying to Fulfil the Political Promise: The Hackney Flashers and British Socially Engaged Art in the 1970s.
Exhibition review
23.03.2019 | Clément Dirié
