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20.06.2025 | Euridice Zaituna Kala
Euridice Zaituna Kala: “In Rome, all roads lead to the story of Bertina Lopes – and to our own, that of Mozambique.”
Interview
06.06.2025 | Canela Laude-Arce
An invisible crown: the voice of Olinda Reshinjabe Silvano
Article
16.05.2025 | Hyphen— (Andri Setiawan, Ruhaeni Intan and Rachel K. Surijata)
Unveiling Kustiyah, et al.: In constellation to each other
Article
04.04.2025 | Kássia Borges Mytara
To create and heal. The artivism of Brazilian Indigenous women artists
Article
21.03.2025 | Claudia Holgado Chacón
CARING FOR HERITAGE: THE JULIA CHAMBI LÓPEZ ARCHIVES
Article
27.12.2024 | Raven Manygoats
“Our Bodies Are This Land”: Indigenous Women Artists’ Depictions of the Natural World
Article
20.12.2024 | Iris Ferrer
Brenda Fajardo’s Tarot: Reading the Philippines’ Past, Present and Future
Article
25.10.2024 | Annalisa Rimmaudo
Minimal and Post-Minimal: Sculpture Beyond the White Cube
Article
11.10.2024 | N’Goné Fall
Paving the way: Women artists and Independence in Africa
Article
16.08.2024 | Sihle Motsa
A Violent Sublime: Noria Mabasa’s Ecological Reckoning
Article
08.03.2024 | Andrea Giunta
Historiography of feminist art in Argentina from the 1970s through today
Article
09.02.2024 | Akiko Mizoguchi & Emalyn
BuBu de la Madeleine’s Mermaid Revolution
Article
01.12.2023 | Jacqueline Millner
Unbridled Abundance: Contemporary Feminist Art and Ageing
Article
10.11.2023 | Alexandra Symons Sutcliffe
Dispossessed: Portraiture and Property in the Case of Astrid Proll
Article
18.08.2023 | Raven Manygoats
Native American Women Artists in the Late Twentieth Century
Article
16.06.2023 | Yukiko Yokoyama
What were “Ultra Girls”? Women Artists in 1980s Japan
Article
07.04.2023 | Miguel A. López
Elena Valera (Bawan Jisbe): Painting Reciprocity with the Land
Interview
16.03.2023 | Ewa Giezek
