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Index
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Identity
Research
105
Interviews
22
Review
88
Artistic Movements
Conceptual art
9
Body art
1
[Artist collectives]
16
Subjects
Abstraction
23
Allegory
14
Animals
16
Autobiography
12
Self-portrait
27
Political issues
59
Social classes
7
Women's status
62
Human body
69
Cosmos
3
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14
Discriminations
37
Documentary
7
Ecology
13
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15
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8
Public space
9
Feminism
54
Party & nightlife
1
Gender fluidity
4
Geometry
8
War & conflicts
25
History
46
Art history & museum
19
Intimacy
13
Play
2
Language
14
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2
Disease
2
Maternity
15
Media
7
Memory
34
Human migration
11
Death
4
Nation
5
Nature
24
Still life
7
Nude
22
Landscape
20
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10
Spatial perception
1
Portrait
36
Postcolonialism
22
Queer
4
Racism
12
Religion & spirituality
12
Domestic scene
9
Science
5
Sexuality
10
Surveillance
1
Traditions
25
Work
9
Drag
5
Everyday life
30
Violence
18
Lesbian visibility
3
Trans visibility
5
Mediums
Applied arts
18
Ceramic
9
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2
Graphic arts
92
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14
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10
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37
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9
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6
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8
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6
Audiovisual
41
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9
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4
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23
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78
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12
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6
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2
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19
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10
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103
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11
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2
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5
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34
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1
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31
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55
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20
Digital photography
8
Sculpture
43
Wax
1
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5
Paper & cardboard
2
Stone
4
Textile
27
Embroidery
8
Countries
Africa
17
Algeria
3
Mozambique
1
Senegal
4
Central America and the Caribbean
3
Haiti
1
North America
58
Canada
3
United States
51
Mexico
8
South America
31
Brazil
11
Chile
4
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7
Uruguay
2
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3
Asia
26
Japan
11
Pakistan
2
Europe
137
Germany
20
Denmark
4
Spain
7
France
71
Hungary
6
Italy
14
United Kingdom
24
Middle East
14
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2
Iraq
2
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4
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3
Palestine
2
Syria
1
Turkey
5
Oceania
7
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6
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1
Periods of
activity
XVIe siècle
2
17th century
3
18th century
5
19th century
17
20th century
178
1900s
11
1910s
14
1920s
19
1930s
24
1940s
23
1950s
32
1960s
62
1970s
104
1980s
106
1990s
96
21st century
126
2000s
94
2010s
107
2020s
52
Programmes
— Women Artists of the 1960s in Africa
2
— Rewriting Art History in the Americas
9
— Southeast Asian Women Artists, in collaboration with Asia Art Archive
4
— TEAM: Teaching, E-learning, Agency, Mentoring
15
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Article
20.06.2025 | Euridice Zaituna Kala
Euridice Zaituna Kala: “In Rome, all roads lead to the story of Bertina Lopes – and to our own, that of Mozambique.”
Article
02.05.2025 | Jerry Philogene
Searching for Luce Turnier: The France Years (1951–1955 & 1960–1977)
Article
21.03.2025 | Claudia Holgado Chacón
CARING FOR HERITAGE: THE JULIA CHAMBI LÓPEZ ARCHIVES
Article
20.12.2024 | Iris Ferrer
Brenda Fajardo’s Tarot: Reading the Philippines’ Past, Present and Future
Article
27.09.2024 | Isabel Käser and Houzan Mahmoud
Landscapes of War: Women and Art Making in South Kurdistan
Article
02.08.2024 | Idit Suslik
Material Girls: Performative Corporeality in the Works of Three Pioneer Israeli Artists of the 1970s – Yocheved Weinfeld, Efrat Natan and Adina Bar-On
Article
09.02.2024 | Akiko Mizoguchi & Emalyn
BuBu de la Madeleine’s Mermaid Revolution
Article
10.11.2023 | Alexandra Symons Sutcliffe
Dispossessed: Portraiture and Property in the Case of Astrid Proll
Interview
30.06.2023 | Nadia Radwan
Interview with Anila Quayyum Agha: Pattern is Political
Exhibition review
10.02.2023 | Hadas Kedar
Ruth Dorrit Yacoby: The Door to the Secret Garden
Article
27.01.2023 | Andrea Giunta
Representation and Participation: Indigenous Latin American artists in the Transition between Two Centuries
Article
05.08.2022 | Maia Creus and Maria Lluïsa Faxedas
Fina Miralles, from the idea of art to the art of lived experience
Article
20.05.2022 | Sarah Lolley
Pioneers: Paula Boi-Gony, Yvette Bouquet, Micheline Néporon and Denise Tiavouane
Article
05.05.2022 | Kelly-Christina Grant
African-American Women Artists in French Public Collections: Acquisitions from the 1970s to the Present Day
Exhibition review
25.03.2022 | Garance Malivel
Uninvited: Canadian Women Artists in the Modern Movement
Article
18.02.2022 | Isabelle Alfonsi
Should We Still Be Laying Claim to the Word “Woman”?
Exhibition review
21.01.2022 | Jacqueline Millner
Know My Name: Australian Women Artists 1900 to Now
Interview
12.11.2021 | Mai Dengsøe
On Identity, War, Feminism and the Autobiographical Method in Ursula Reuter Christiansen’s Practice
1
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