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AWARE
AWARE
FR
EN
About
Missions
Programmes
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Sponsors
Support us
FAQ
Index
Read
Focus
Articles
Publications
Resources
Watch and Listen
Podcasts
Animated series
Video archive
A Place for Artists
Villa Vassilieff
Location
Research Centre
Residencies
Events
Prix AWARE
At the Villa Vassilieff
Off-site
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-日本
AWARE
について
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記事
ご支援
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Research
83
Interviews
20
Review
88
Artistic Movements
Geometric abstraction
2
Lyrical abstraction
2
Academic art
1
Viennese Actionism
1
Appropriationism
1
Outsider art
2
Conceptual art
8
Art Déco
1
Naïve art
1
École de Paris
2
Expressionism
1
Abstract expressionism
1
Fauvism
1
Land art
2
Minimalism
2
Nouveau Réalisme
2
New Objectivity
1
Pop art
4
Realism
2
Surrealism
4
Symbolism
3
[Artist collectives]
12
Subjects
Abstraction
22
Allegory
13
Animals
12
Architecture
11
Autobiography
12
Self-portrait
25
Body positivity
2
Political issues
52
Social classes
6
Women's status
56
Consumerism
8
Human body
65
Cosmos
1
Colour
13
Discriminations
35
Documentary
2
Ecology
10
Writing
14
Childhood
8
Eroticism
8
Public space
8
Fantasy & dreams
13
Feminism
47
Party & nightlife
1
Gender fluidity
4
Geometry
7
War & conflicts
21
History
38
Art history & museum
11
Identity
22
Industry
2
Intimacy
12
Irony
12
Play
1
Language
14
Light
2
Disease
1
Maternity
14
Mathematics
2
Media
7
Memory
27
Human migration
10
Fashion & clothing
2
Death
4
Myths, tales & legends
4
Nation
4
Nature
18
Still life
7
Nude
21
Landscape
15
Urban landscape
9
Visual perception
3
Portrait
33
Postcolonialism
17
Sex positivity
1
Advertisement
2
Queer
4
Racism
12
Religion & spirituality
11
Domestic scene
9
Science
4
Sexuality
9
Entertainment
1
Surveillance
1
Traditions
21
Work
6
Domestic work
8
Drag
5
Vegetal
5
Everyday life
28
Old age
2
Violence
15
Lesbian visibility
3
Trans visibility
5
Travel
1
Mediums
Applied arts
15
Ceramic
6
Decor
1
Graphic arts
86
Poster
2
Watercolour
13
Collage
8
Dessin (ink, pencil…)
32
Engraving & etching
7
Illustration
5
Artist book
8
Pastel
6
Journal
8
Screen printing
2
Audiovisual
37
Film
8
Digital
2
Sound
4
Video
22
Installation
76
Accumulation
2
Assemblage
11
Environment
6
Light installation
2
[Modes]
18
Ephemeral
3
Site-specific
10
Monumental
10
Painting
90
Acrylic
7
Mural
1
Gouache
4
Oil
26
Performance
28
Photography
49
Analogue photography
18
Digital photography
6
Photojournalism
2
Photomontage
4
Historical techniques
4
Sculpture
37
Wood
1
Bronze
5
Wax
1
Metal
4
Paper & cardboard
2
Stone
3
Plastic
1
Plaster
2
Resin
1
Glass
1
Textile
24
Embroidery
6
Sewing
1
Weaving
5
Countries
Africa
14
South Africa
1
Algeria
2
Angola
1
Egypt
2
Ghana
1
Morocco
1
Nigeria
2
Senegal
3
Zanzibar
1
Zimbabwe
1
Central America and the Caribbean
1
France (Antilles)
1
North America
54
Canada
1
United States
47
Mexico
8
South America
25
Argentina
6
Brazil
9
Chile
4
Colombia
4
Guyana
1
Paraguay
1
Peru
5
Uruguay
2
Venezuela
2
Asia
21
China
4
South Korea
3
India
2
Japan
9
Pakistan
1
Philippines
1
Russia
2
Singapore
1
Vietnam
2
Europe
129
Albania
1
Germany
19
Austria
5
Belgium
4
Bosnia-Herzegovina
1
Croatia
2
Denmark
4
Spain
6
France
68
Georgia
1
Hungary
5
Ireland
1
Iceland
2
Italy
11
Lithuania
2
North Macedonia
1
Montenegro
1
Norway
1
Netherlands
2
Poland
3
Portugal
4
Czech Republic
1
United Kingdom
23
Serbia
1
Slovenia
1
Sweden
1
Switzerland
6
Ukraine
1
Middle East
12
Iran
1
Iraq
1
Israel
3
Jordan
2
Lebanon
3
Palestine
2
Turkey
4
Oceania
6
Australia
5
France (New Caledonia)
1
Periods of
activity
18th century
2
1710s
2
1720s
2
1730s
2
1740s
2
1750s
2
1760s
2
1770s
2
1780s
2
1790s
2
19th century
15
1800s
1
1810s
1
1820s
1
1830s
2
1840s
1
1850s
2
1860s
3
1870s
3
1880s
6
1890s
8
20th century
159
1900s
11
1910s
14
1920s
19
1930s
23
1940s
21
1950s
29
1960s
54
1970s
92
1980s
96
1990s
87
21st century
114
2000s
85
2010s
98
2020s
43
Programmes
— 18th-Century Women Artists
2
— Women Artists in Japan, 19th–21st c.
6
— Rewriting Art History in the Americas
5
— TEAM: Teaching, E-learning, Agency, Mentoring
10
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Exhibition review
18.04.2020 | Mathilde Bartier
Women Artists in the Face of Abstraction at the Musée Soulages
Article
15.04.2020 | Gina McDaniel Tarver
“The vision to demand that which is good” : Alicia Barney, María Evelia Marmolejo and the origins of Colombian eco-art
Exhibition review
11.04.2020 | Juliette Milbach
Pacita Abad: Commitment to the Studio
Exhibition review
22.02.2020 | Adélie Le Guen
Variations of Perception in Dóra Maurer’s Work
Exhibition review
14.02.2020 | Matylda Taszycka
Hand-to-hand with Miriam Cahn
Exhibition review
26.01.2020 | Adiva Lawrence
Betye Saar, from assemblage to resistance
Article
18.01.2020 | Georgina G. Gluzman
María Carmen Portela: art, politics, new women, and social commitment
Exhibition review
12.01.2020 | Vanessa Noizet
Natural Forms: The Sculpture of Barbara Hepworth
Interview
11.12.2019 | Liberty Adrien, Juliette Pollet & Marie Chênel
La Houle
[The Swell]: First Research on the Place of Women Artists in the Collections of the Centre National des Arts Plastiques
Article
17.11.2019 | Maggie Borowitz
Anything or Nothing: Mira Schendel’s
Droguinhas
Exhibition review
09.11.2019 | Elena Cardin
Maria Lai: The Infinite Thread of Imagination
Exhibition review
26.10.2019 | Valentin Gleyze
Women Artists and the Works of Marta Pan: Plural Trajectories
Exhibition review
13.10.2019 | Mathilde Bartier
Helen Frankenthaler: the triumph of colour
Exhibition review
05.10.2019 | Leïla Jarbouai
Weavers, painters and feminists in São Paulo
Thesis or dissertation abstract
21.09.2019 | Sherena Razek
Decolonizing Documentary Photography: The Rawiya Collective in Palestine
Exhibition review
15.09.2019 | Adélie Le Guen
The metamorphoses of Rebecca Horn: Between dreaminess, spirituality, and surrealism
Article
07.09.2019 | Madeline Murphy Turner
The Archival Impulse: Magali Lara and Carmen Boullosa’s Collaborative Artists’ Books
Exhibition review
31.08.2019 | Mathilde Bartier
Delphine Seyrig, the unbowed
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