Review
Filtres
Exhibition review
16.09.2016 | Anne-Fleur Merlaud
Sylvie Blocher, Les Mots qui manquent / The Missing words
Exhibition review
22.06.2019 | Mathilde Bartier
Takako Saito: playful art
Exhibition review
05.10.2019 | Leïla Jarbouai
Weavers, painters and feminists in São Paulo
Exhibition review
30.07.2017 | Eva Belgherbi
Travaux de dames ?
Exhibition review
25.03.2022 | Garance Malivel
Uninvited: Canadian Women Artists in the Modern Movement
Exhibition review
06.12.2016 | Nathalie Ernoult
Vera Pagava. Celestial bodies
Exhibition review
04.11.2018 | Mathilde Bartier
Véronique Ellena: In Praise of the Everyday
Exhibition review
03.07.2018 | Fanny Verdier
Journey to the Heart of Yin and Yang, with Seundja Rhee
Exhibition review
25.08.2017 | Mathilde Belouali-Dejean
We Wanted a Revolution: Black Radical Women, 1965–85
Exhibition review
19.04.2016 | Milena Páez-Barbat
Why not Judy Chicago?
Exhibition review
22.09.2017 | Marie Perennès
Zanele Muholi, portrait of a “dark lioness”
Exhibition review
10.08.2017 | Camille Viéville
“Alice Neel, Painter of Modern Life” in Arles
Exhibition review
31.10.2017 | Gillian Sneed
“Bad Hombres, and Nasty Women”: Pacific Standard Time: LA/LA Examines Gender and Sexuality
Exhibition review
13.09.2017 | Hélène Gheysens
“Fahrelnissa Zeid”, the honey of life, at Tate Modern
Report
06.07.2019 | Magali Le Mens
“May You Live in Equal Times”: while the International Art Exhibition achieves gender balance, the National Pavilions, by contrast, showcase predominantly male artists.
Exhibition review
07.06.2020 | Anaïs Roesch
