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Chana Orloff - AWARE
Interview
On Identity, War, Feminism and the Autobiographical Method in Ursula Reuter Christiansen’s Practice - AWARE
12.11.2021 | Mai Dengsøe

On Identity, War, Feminism and the Autobiographical Method in Ursula Reuter Christiansen’s Practice

Interview
Amelia Jones in dialogue with Nancy Buchanan, “Truly for Real” - AWARE
22.10.2021 | Amelia Jones

Amelia Jones in dialogue with Nancy Buchanan, “Truly for Real”

Interview
Lucha/Libre: Lourdes Grobet and the radical reframing of 20th-century Mexico - AWARE
24.09.2021 | Miller Schulman

Lucha/Libre: Lourdes Grobet and the radical reframing of 20th-century Mexico

Article
The Women of the British Black Arts Movement - AWARE
20.08.2021 | Aurella Yussuf

The Women of the British Black Arts Movement

Exhibition review
<i>The Power of My Hands</i> – Palms and Fists Raised - AWARE
06.08.2021 | Louise Thurin

The Power of My Hands – Palms and Fists Raised

Article
Care and Art - AWARE
09.07.2021 | Jacqueline Millner

Care and Art

Interview
Doris Salcedo: From Singular Identity to Collective Historiography - AWARE
31.10.2020 | Doris Salcedo & Carolina Ariza

Doris Salcedo: From Singular Identity to Collective Historiography

Exhibition review
“What may ultimate reality be?” - AWARE
07.06.2020 | Anaïs Roesch

“What may ultimate reality be?”

Exhibition review
I’M NOT A NICE GIRL!: An Unequivocal Homage to the Female Pioneers of Conceptual Art - AWARE
03.05.2020 | Léa Pagnier

I’M NOT A NICE GIRL!: An Unequivocal Homage to the Female Pioneers of Conceptual Art

Article
“The vision to demand that which is good” : Alicia Barney, María Evelia Marmolejo and the origins of Colombian eco-art - AWARE
15.04.2020 | Gina McDaniel Tarver

“The vision to demand that which is good” : Alicia Barney, María Evelia Marmolejo and the origins of Colombian eco-art

Exhibition review
Hand-to-hand with Miriam Cahn - AWARE
14.02.2020 | Matylda Taszycka

Hand-to-hand with Miriam Cahn

Exhibition review
Betye Saar, from assemblage to resistance - AWARE
26.01.2020 | Adiva Lawrence

Betye Saar, from assemblage to resistance

Article
Anything or Nothing: Mira Schendel’s <i>Droguinhas</i> - AWARE
17.11.2019 | Maggie Borowitz

Anything or Nothing: Mira Schendel’s Droguinhas

Exhibition review
Maria Lai: The Infinite Thread of Imagination - AWARE
09.11.2019 | Elena Cardin

Maria Lai: The Infinite Thread of Imagination

Exhibition review
Weavers, painters and feminists in São Paulo - AWARE
05.10.2019 | Leïla Jarbouai

Weavers, painters and feminists in São Paulo

Exhibition review
The metamorphoses of Rebecca Horn: Between dreaminess, spirituality, and surrealism - AWARE
15.09.2019 | Adélie Le Guen

The metamorphoses of Rebecca Horn: Between dreaminess, spirituality, and surrealism

Exhibition review
Laëtitia Badaut Haussmann: The Performative Poetry of the Habitat - AWARE
28.07.2019 | Manon Burg

Laëtitia Badaut Haussmann: The Performative Poetry of the Habitat

Report
“May You Live in Equal Times”: while the International Art Exhibition achieves gender balance, the National Pavilions, by contrast, showcase predominantly male artists. - AWARE
06.07.2019 | Magali Le Mens

“May You Live in Equal Times”: while the International Art Exhibition achieves gender balance, the National Pavilions, by contrast, showcase predominantly male artists.

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