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South America
Research
100
Interviews
20
Review
88
Artistic Movements
Conceptual art
9
Minimalism
3
Pop art
4
[Artist collectives]
15
Subjects
Abstraction
23
Allegory
14
Animals
16
Architecture
11
Autobiography
12
Self-portrait
26
Political issues
57
Social classes
7
Women's status
62
Consumerism
8
Human body
68
Cosmos
3
Colour
14
Discriminations
36
Documentary
6
Ecology
13
Writing
15
Eroticism
8
Public space
9
Feminism
54
Geometry
8
War & conflicts
25
History
44
Art history & museum
16
Identity
26
Industry
4
Irony
12
Language
14
Magic & esotericism
1
Maternity
14
Media
7
Memory
31
Human migration
11
Nation
5
Nature
23
Landscape
17
Portrait
35
Postcolonialism
21
Advertisement
2
Queer
4
Racism
12
Science
5
Sexuality
10
Traditions
24
Work
9
Domestic work
8
Drag
5
Vegetal
9
Everyday life
29
Violence
18
Lesbian visibility
3
Trans visibility
5
Mediums
Applied arts
18
Ceramic
9
Graphic arts
90
Poster
2
Dessin (ink, pencil…)
36
Engraving & etching
8
Journal
8
Screen printing
2
Audiovisual
40
Video
23
Installation
78
Accumulation
3
Assemblage
12
Environment
6
[Modes]
19
Ephemeral
3
Site-specific
10
Monumental
11
Painting
97
Acrylic
10
Oil
29
Performance
31
Photography
53
Analogue photography
20
Digital photography
7
Sculpture
42
Bronze
5
Metal
5
Paper & cardboard
2
Stone
4
Plaster
2
Resin
2
Clay
2
Glass
2
Textile
26
Embroidery
7
Crochet & knitting
1
Weaving
7
Countries
Africa
16
Central America and the Caribbean
2
Cuba
1
North America
58
Canada
3
United States
51
Mexico
8
South America
30
Argentina
9
Brazil
11
Chile
4
Colombia
4
Guyana
1
Paraguay
1
Peru
6
Uruguay
2
Venezuela
3
Asia
24
Japan
10
Pakistan
2
Europe
132
Germany
20
Austria
6
Belgium
6
Spain
7
France
69
Italy
13
Poland
5
Czech Republic
2
United Kingdom
24
Switzerland
7
Middle East
14
Oceania
7
Periods of
activity
17th century
1
18th century
3
19th century
15
20th century
171
1930s
24
1940s
22
1950s
30
1960s
58
1970s
100
1980s
103
1990s
92
21st century
122
2000s
90
2010s
104
2020s
49
Programmes
— Rewriting Art History in the Americas
8
— TEAM: Teaching, E-learning, Agency, Mentoring
14
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Article
04.04.2025 | Kássia Borges Mytara
To create and heal. The artivism of Brazilian Indigenous women artists.
Article
21.03.2025 | Claudia Holgado Chacón
CARING FOR HERITAGE: THE JULIA CHAMBI LÓPEZ ARCHIVES
Article
24.01.2025 | Andrei Fernández
Silät. The flickering of fabric
Article
08.11.2024 | María Laura Rosa
Mónica Millán and the community of weavers of Yataity del Guayrá
Article
25.10.2024 | Annalisa Rimmaudo
Minimal and Post-Minimal: Sculpture Beyond the White Cube
Article
12.07.2024 | Grace Aneiza Ali
Centering Guyanese Women’s Art and Migration Narratives
Article
08.03.2024 | Andrea Giunta
Historiography of feminist art in Argentina from the 1970s through today
Interview
12.01.2024 | María Laura Rosa
“For women, the exercise of political power is an unfulfilled project”: Natalia Iguiñiz and feminist activism in Peru
Article
26.05.2023 | Lia Colombino & Damián Cabrera
Texture and fibre. Landscape Writing and Relationships of Dependency: Plant Fibre Availability and Sustainability in Aché and Nivacché Women’s Artistic Practices and Processes in Paraguay
Article
07.04.2023 | Miguel A. López
Elena Valera (Bawan Jisbe): Painting Reciprocity with the Land
Article
27.01.2023 | Andrea Giunta
Representation and Participation: Indigenous Latin American artists in the Transition between Two Centuries
Article
23.09.2022 | María Laura Rosa
Experience as an Affective Methodology of Investigation
Interview
11.03.2022 | Beatriz González & Carolina Ariza
Beatriz González: From the Dismantling of Universal Iconography to Provincial Singularity
Article
10.09.2021 | María Laura Rosa
Activism and collaborative strategies for Latin American women artists
Article
23.07.2021 | Andrea Giunta
Afro-Brazilian artists in the transition between two centuries
Interview
31.10.2020 | Doris Salcedo & Carolina Ariza
Doris Salcedo: From Singular Identity to Collective Historiography
Exhibition review
26.04.2020 | Valentin Gleyze
Claudia Andujar: Photographing As We Struggle
Article
15.04.2020 | Gina McDaniel Tarver
“The vision to demand that which is good” : Alicia Barney, María Evelia Marmolejo and the origins of Colombian eco-art
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