Articles
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Article
07.02.2025 | Agata Jakubowska
All-Women Art Exhibitions Organised by the International Federation of Business and Professional Women
Article
26.01.2024 | Paris A. Spies-Gans
Restricted, but not Deterred: How Women Became Artists in the Rulebound Eighteenth Century
Article
10.11.2023 | Alexandra Symons Sutcliffe
Dispossessed: Portraiture and Property in the Case of Astrid Proll
Interview
13.01.2023 | Marion Vignal
Valeria Napoleone: Collecting Community
Article
20.08.2021 | Aurella Yussuf
The Women of the British Black Arts Movement
Article
10.03.2021 | Gabriela Salgado
With the kings’ permission – Bisi Silva
Exhibition review
11.04.2020 | Juliette Milbach
Pacita Abad: Commitment to the Studio
Exhibition review
22.02.2020 | Adélie Le Guen
Variations of Perception in Dóra Maurer’s Work
Exhibition review
12.01.2020 | Vanessa Noizet
Natural Forms: The Sculpture of Barbara Hepworth
Article
07.09.2019 | Madeline Murphy Turner
The Archival Impulse: Magali Lara and Carmen Boullosa’s Collaborative Artists’ Books
Thesis or dissertation abstract
06.04.2019 | Karolina Wilczyńska
Trying to Fulfil the Political Promise: The Hackney Flashers and British Socially Engaged Art in the 1970s.
Thesis or dissertation abstract
18.11.2018 | Margot E. Yale
“Tell Them Everything”: Three Women Artists and the Northern Irish Conflict
Exhibition review
06.03.2018 | Adiva Lawrence
Lubaina Himid and the Historically Forgotten
Exhibition review
13.09.2017 | Hélène Gheysens
“Fahrelnissa Zeid”, the honey of life, at Tate Modern
Exhibition review
08.09.2017 | Claire Mead
Dreamers Awake at White Cube Bermondsey
Exhibition review
25.07.2017 | Hanna Alkema
Peggy Guggenheim presents Rita Kernn-Larsen, a Danish Surrealist
Exhibition review
25.05.2017 | Mathilde Bartier
Gillian Wearing & Claude Cahun, Behind the mask, another mask
Exhibition review
20.09.2016 | Anne-Fleur Merlaud
