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AWARE
AWARE
FR
EN
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Index
Read
Focus
Articles
Publications
Resources
Watch and Listen
Podcasts
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Video archive
A Place for Artists
Villa Vassilieff
Location
Research Centre
Residencies
Events
Prix AWARE
At the Villa Vassilieff
Off-site
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-日本
AWARE
について
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記事
ご支援
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Women's status
Research
98
Interviews
20
Review
88
Artistic Movements
Geometric abstraction
2
Lyrical abstraction
2
Academic art
1
Viennese Actionism
1
Appropriationism
1
Conceptual art
9
Body art
1
Fauvism
1
Minimalism
3
Surrealism
4
[Artist collectives]
13
Subjects
Abstraction
23
Allegory
14
Animals
15
Architecture
11
Autobiography
12
Self-portrait
26
Body positivity
2
Political issues
56
Social classes
7
Consumerism
8
Human body
68
Cosmos
3
Colour
14
Discriminations
36
Documentary
6
Ecology
13
Writing
15
Childhood
8
Eroticism
8
Public space
9
Fantasy & dreams
13
Feminism
53
Gender fluidity
4
Geometry
8
War & conflicts
25
History
44
Art history & museum
15
Identity
26
Intimacy
13
Irony
12
Play
2
Language
14
Light
2
Disease
2
Maternity
14
Media
7
Memory
31
Human migration
11
Death
4
Nation
5
Nature
22
Still life
7
Nude
22
Urban landscape
9
Portrait
35
Postcolonialism
20
Sex positivity
1
Advertisement
2
Queer
4
Racism
12
Religion & spirituality
12
Science
4
Sexuality
10
Entertainment
1
Traditions
24
Work
9
Domestic work
8
Drag
5
Vegetal
8
Everyday life
29
Old age
2
Violence
17
Lesbian visibility
3
Trans visibility
5
Mediums
Applied arts
17
Ceramic
8
Decor
2
Graphic arts
90
Poster
2
Watercolour
14
Collage
9
Dessin (ink, pencil…)
36
Engraving & etching
8
Illustration
6
Artist book
8
Pastel
6
Journal
8
Screen printing
2
Audiovisual
39
Film
9
Digital
2
Video
23
Installation
77
Accumulation
3
Assemblage
12
Environment
6
Light installation
2
[Modes]
19
Ephemeral
3
Site-specific
10
Monumental
11
Painting
96
Acrylic
10
Mural
1
Gouache
5
Oil
29
Tempera
1
Performance
30
Photography
52
Analogue photography
20
Digital photography
7
Photomontage
4
Sculpture
42
Wood
1
Bronze
5
Wax
1
Metal
5
Paper & cardboard
2
Stone
4
Plaster
2
Clay
2
Textile
26
Embroidery
7
Weaving
7
Countries
Africa
16
South Africa
3
Algeria
3
Egypt
3
Senegal
4
Central America and the Caribbean
2
North America
57
United States
50
Mexico
8
South America
29
Argentina
9
Brazil
10
Chile
4
Peru
6
Uruguay
2
Venezuela
3
Asia
24
China
4
South Korea
3
India
2
Japan
10
Pakistan
2
Europe
132
Germany
20
Austria
6
Croatia
2
Denmark
4
Spain
7
France
69
Hungary
6
Italy
13
Lithuania
2
Portugal
4
United Kingdom
24
Switzerland
7
Middle East
14
Iran
2
Iraq
2
Israel
4
Jordan
2
Lebanon
3
Palestine
2
Syria
1
Turkey
5
Oceania
7
Australia
6
Periods of
activity
17th century
1
18th century
3
1710s
3
1720s
3
1730s
3
1740s
3
1750s
3
1760s
3
1770s
3
1780s
3
1790s
3
19th century
15
1800s
1
1810s
1
1820s
1
1830s
2
20th century
169
1900s
11
1910s
14
1920s
19
1930s
24
1940s
22
1950s
30
1960s
57
1970s
99
1980s
102
1990s
91
21st century
121
2000s
89
2010s
103
2020s
48
Programmes
— 18th-Century Women Artists
2
— Women Artists in Japan, 19th–21st c.
6
— AWARE x Artis
1
— Rewriting Art History in the Americas
7
— Southeast Asian Women Artists, in collaboration with Asia Art Archive
3
— TEAM: Teaching, E-learning, Agency, Mentoring
14
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>
Article
24.01.2025 | Andrei Fernández
Silät. The flickering of fabric
Article
20.12.2024 | Iris Ferrer
Brenda Fajardo’s Tarot: Reading the Philippines’ Past, Present and Future
Article
27.09.2024 | Isabel Käser and Houzan Mahmoud
Landscapes of War: Women and Art Making in South Kurdistan
Article
16.08.2024 | Sihle Motsa
A Violent Sublime: Noria Mabasa’s Ecological Reckoning
Article
02.08.2024 | Idit Suslik
Material Girls: Performative Corporeality in the Works of Three Pioneer Israeli Artists of the 1970s – Yocheved Weinfeld, Efrat Natan and Adina Bar-On
Article
26.07.2024 | Jacqueline Millner
Can we topple an ideology by erecting another statue? Reimaging monuments and feminist memorialising
Article
07.06.2024 | Tomoko Kira
The sisters Shigure and Haruko Hasegawa, and Women’s Art magazine
Article
08.03.2024 | Andrea Giunta
Historiography of feminist art in Argentina from the 1970s through today
Article
26.01.2024 | Paris A. Spies-Gans
Restricted, but not Deterred: How Women Became Artists in the Rulebound Eighteenth Century
Interview
12.01.2024 | María Laura Rosa
“For women, the exercise of political power is an unfulfilled project”: Natalia Iguiñiz and feminist activism in Peru
Article
01.12.2023 | Jacqueline Millner
Unbridled Abundance: Contemporary Feminist Art and Ageing
Interview
30.06.2023 | Nadia Radwan
Interview with Anila Quayyum Agha: Pattern is Political
Article
16.06.2023 | Yukiko Yokoyama
What were “Ultra Girls”? Women Artists in 1980s Japan
Interview
16.03.2023 | Ewa Giezek
Learning How to Deal with Traumas with Martha Wilson’s Joy
Exhibition review
10.02.2023 | Hadas Kedar
Ruth Dorrit Yacoby: The Door to the Secret Garden
Interview
30.09.2022 | Matylda Taszycka
Mira Schor: The Language of Painting
Article
23.09.2022 | María Laura Rosa
Experience as an Affective Methodology of Investigation
Article
08.07.2022 | Nadia Radwan
Women Artists from the Arab World: On the Discourse of Abstraction and Other Misconceptions
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