Articles
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Article
20.12.2024 | Iris Ferrer
Brenda Fajardo’s Tarot: Reading the Philippines’ Past, Present and Future
Article
27.09.2024 | Isabel Käser and Houzan Mahmoud
Landscapes of War: Women and Art Making in South Kurdistan
Article
16.08.2024 | Sihle Motsa
A Violent Sublime: Noria Mabasa’s Ecological Reckoning
Article
02.08.2024 | Idit Suslik
Material Girls: Performative Corporeality in the Works of Three Pioneer Israeli Artists of the 1970s – Yocheved Weinfeld, Efrat Natan and Adina Bar-On
Article
09.02.2024 | Akiko Mizoguchi & Emalyn
BuBu de la Madeleine’s Mermaid Revolution
Interview
12.01.2024 | María Laura Rosa
“For women, the exercise of political power is an unfulfilled project”: Natalia Iguiñiz and feminist activism in Peru
Article
27.10.2023 | Natalia Sielewicz
Feminist Cruelties. Agency and Politics of the Pain in the Work of Alyona Tokovenko and AntiGonna
Interview
30.06.2023 | Nadia Radwan
Interview with Anila Quayyum Agha: Pattern is Political
Interview
11.03.2022 | Beatriz González & Carolina Ariza
Beatriz González: From the Dismantling of Universal Iconography to Provincial Singularity
Interview
12.11.2021 | Mai Dengsøe
On Identity, War, Feminism and the Autobiographical Method in Ursula Reuter Christiansen’s Practice
Article
08.10.2021 | Maite Garbayo Maetzu and Noemi de Haro García
Artists at the rearguard in the Spanish Pavilion of the Republic (1937)
Interview
31.10.2020 | Doris Salcedo & Carolina Ariza
Doris Salcedo: From Singular Identity to Collective Historiography
Thesis or dissertation abstract
21.09.2019 | Sherena Razek
Decolonizing Documentary Photography: The Rawiya Collective in Palestine
Article
17.03.2019 | Roberta Garieri
Writings of subversion: the Chiliean arpilleristas
Thesis or dissertation abstract
18.11.2018 | Margot E. Yale
“Tell Them Everything”: Three Women Artists and the Northern Irish Conflict
Article
08.09.2018 | Émilie Goudal
Warding off Disappearance, Getting Beyond Icons: The (Counter-)Visuality of Algerian Women
Exhibition review
05.06.2018 | Catherine Macchi
Giosetta Fioroni: An Iconography of the Feminine
Exhibition review
01.05.2018 | Mathilde Bartier
