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Europe
Research
98
Interviews
20
Review
88
Artistic Movements
Geometric abstraction
2
Lyrical abstraction
2
Academic art
1
Viennese Actionism
1
Outsider art
2
Conceptual art
9
Art Déco
1
Naïve art
1
École de Paris
2
Expressionism
1
Land art
2
Minimalism
3
Nouveau Réalisme
2
New Objectivity
1
Pop art
4
Surrealism
4
Symbolism
3
[Artist collectives]
13
Subjects
Abstraction
23
Allegory
14
Animals
15
Architecture
11
Autobiography
12
Self-portrait
26
Political issues
56
Social classes
7
Women's status
61
Consumerism
8
Human body
68
Colour
14
Dance
1
Discriminations
36
Documentary
6
Ecology
13
Writing
15
Childhood
8
Eroticism
8
Public space
9
Fantasy & dreams
13
Feminism
53
Gender fluidity
4
Geometry
8
War & conflicts
25
History
44
Art history & museum
15
Identity
26
Industry
4
Intimacy
13
Irony
12
Play
2
Language
14
Light
2
Disease
2
Maternity
14
Mathematics
2
Media
7
Memory
31
Human migration
11
Fashion & clothing
2
Death
4
Music
1
Myths, tales & legends
5
Nation
5
Nature
22
Still life
7
Nude
22
Landscape
16
Urban landscape
9
Visual perception
3
Portrait
35
Postcolonialism
20
Sex positivity
1
Advertisement
2
Racism
12
Religion & spirituality
12
Domestic scene
9
Science
4
Sexuality
10
Entertainment
1
Surveillance
1
Traditions
24
Work
9
Domestic work
8
Drag
5
Vegetal
8
Everyday life
29
Violence
17
Lesbian visibility
3
Trans visibility
5
Mediums
Applied arts
17
Ceramic
8
Graphic arts
90
Watercolour
14
Collage
9
Dessin (ink, pencil…)
36
Engraving & etching
8
Illustration
6
Artist book
8
Pastel
6
Journal
8
Screen printing
2
Audiovisual
39
Film
9
Digital
2
Sound
4
Video
23
Installation
77
Assemblage
12
Environment
6
Light installation
2
[Modes]
19
Site-specific
10
Monumental
11
Painting
96
Acrylic
10
Gouache
5
Oil
29
Performance
30
Photography
52
Analogue photography
20
Digital photography
7
Photojournalism
2
Photomontage
4
Historical techniques
4
Sculpture
42
Bronze
5
Metal
5
Paper & cardboard
2
Stone
4
Plastic
1
Plaster
2
Resin
2
Glass
2
Textile
26
Embroidery
7
Countries
Africa
16
South Africa
3
Algeria
3
Morocco
2
Nigeria
3
Zanzibar
1
Central America and the Caribbean
2
France (Antilles)
1
Cuba
1
North America
57
Canada
3
United States
50
Mexico
8
South America
29
Argentina
9
Brazil
10
Colombia
4
Peru
6
Venezuela
3
Asia
24
South Korea
3
India
2
Japan
10
Pakistan
2
Philippines
1
Russia
3
Singapore
1
Vietnam
3
Europe
132
Albania
1
Germany
20
Austria
6
Belgium
6
Bosnia-Herzegovina
1
Croatia
2
Denmark
4
Spain
7
Finland
1
France
69
Georgia
1
Greece
1
Hungary
6
Ireland
1
Iceland
2
Italy
13
Lithuania
2
North Macedonia
1
Montenegro
1
Norway
2
Netherlands
3
Poland
5
Portugal
4
Czech Republic
2
Romania
1
United Kingdom
24
Serbia
1
Slovenia
1
Sweden
2
Switzerland
7
Ukraine
1
Middle East
14
Iraq
2
Israel
4
Jordan
2
Lebanon
3
Turkey
5
Oceania
7
Australia
6
France (New Caledonia)
1
Periods of
activity
17th century
1
18th century
3
1710s
3
1720s
3
1730s
3
1740s
3
1750s
3
1760s
3
1770s
3
1780s
3
1790s
3
19th century
15
1800s
1
1810s
1
1820s
1
1830s
2
1840s
1
1850s
2
1860s
3
1870s
3
1880s
6
1890s
8
20th century
169
1900s
11
1910s
14
1920s
19
1930s
24
1940s
22
1950s
30
1960s
57
1970s
99
1980s
102
1990s
91
21st century
121
2000s
89
2010s
103
2020s
48
Programmes
— 18th-Century Women Artists
2
— Rewriting Art History in the Americas
7
— TEAM: Teaching, E-learning, Agency, Mentoring
14
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Article
29.04.2022 | Cassandra Levasseur
Women sculptors, public statuary and nationalism
Interview
11.03.2022 | Beatriz González & Carolina Ariza
Beatriz González: From the Dismantling of Universal Iconography to Provincial Singularity
Article
26.11.2021 | Sofie Normann Christensen
The Danish Women Artists’ Retrospective Exhibition in Copenhagen, 1920
Interview
12.11.2021 | Mai Dengsøe
On Identity, War, Feminism and the Autobiographical Method in Ursula Reuter Christiansen’s Practice
Article
08.10.2021 | Maite Garbayo Maetzu and Noemi de Haro García
Artists at the rearguard in the Spanish Pavilion of the Republic (1937)
Article
20.08.2021 | Aurella Yussuf
The Women of the British Black Arts Movement
Article
10.03.2021 | Gabriela Salgado
With the kings’ permission – Bisi Silva
Exhibition review
07.06.2020 | Anaïs Roesch
“What may ultimate reality be?”
Thesis or dissertation abstract
10.05.2020 | Anna Zielazny
Between socialism and capitalism: woman’s body in the art of Sanja Iveković, Orshi Drozdik and Eglė Rakauskaitė
Exhibition review
03.05.2020 | Léa Pagnier
I’M NOT A NICE GIRL!: An Unequivocal Homage to the Female Pioneers of Conceptual Art
Exhibition review
18.04.2020 | Mathilde Bartier
Women Artists in the Face of Abstraction at the Musée Soulages
Exhibition review
11.04.2020 | Juliette Milbach
Pacita Abad: Commitment to the Studio
Exhibition review
22.02.2020 | Adélie Le Guen
Variations of Perception in Dóra Maurer’s Work
Exhibition review
14.02.2020 | Matylda Taszycka
Hand-to-hand with Miriam Cahn
Exhibition review
12.01.2020 | Vanessa Noizet
Natural Forms: The Sculpture of Barbara Hepworth
Interview
11.12.2019 | Liberty Adrien, Juliette Pollet & Marie Chênel
La Houle
[The Swell]: First Research on the Place of Women Artists in the Collections of the Centre National des Arts Plastiques
Article
17.11.2019 | Maggie Borowitz
Anything or Nothing: Mira Schendel’s
Droguinhas
Exhibition review
09.11.2019 | Elena Cardin
Maria Lai: The Infinite Thread of Imagination
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