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Article
14.11.2025 | Tai Tadokoro
Women Nanga Artists at Meiji-Period Exhibitions
Article
18.07.2025 | Tomoko OGAWA
The Women Nihonga Artists of Osaka
Interview
06.06.2025 | Canela Laude-Arce
An invisible crown: the voice of Olinda Reshinjabe Silvano
Article
04.04.2025 | Kássia Borges Mytara
To create and heal. The artivism of Brazilian Indigenous women artists
Article
24.01.2025 | Andrei Fernández
Silät. The flickering of fabric
Article
27.12.2024 | Raven Manygoats
“Our Bodies Are This Land”: Indigenous Women Artists’ Depictions of the Natural World
Article
08.11.2024 | María Laura Rosa
Mónica Millán and the community of weavers of Yataity del Guayrá
Article
16.08.2024 | Sihle Motsa
A Violent Sublime: Noria Mabasa’s Ecological Reckoning
Article
23.02.2024 | Concepción Cortés Zulueta
María Jerez & Silvia Zayas: Artists & Animals, Caring About Non-Human Voices
Article
13.10.2023 | Kojima Kaoru
From the Edo era to the beginning of the 20th century: the artistic education of women painters
Article
13.10.2023 | Kojima Kaoru
Women Nihonga Painters and Bijinga
Article
26.05.2023 | Lia Colombino & Damián Cabrera
Plant fiber in the artistic practice and processes of Aché and Nivacché women in Paraguay
Article
12.05.2023 | Jacqueline Millner
Ecofeminism in Contemporary Art: an Australian Perspective
Article
07.04.2023 | Miguel A. López
Elena Valera (Bawan Jisbe): Painting Reciprocity with the Land
Article
05.08.2022 | Maia Creus and Maria Lluïsa Faxedas
Fina Miralles, from the idea of art to the art of lived experience
Article
03.06.2022 | Sujin Kim
Soun Gui Kim, a Korean Artist in France: Art as a Form of Resistance
Exhibition review
25.03.2022 | Garance Malivel
Uninvited: Canadian Women Artists in the Modern Movement
Article
09.07.2021 | Jacqueline Millner
