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Index
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-日本
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2020s
Research
98
Interviews
20
Review
88
Artistic Movements
Geometric abstraction
2
Lyrical abstraction
2
Conceptual art
9
Minimalism
3
Realism
2
[Artist collectives]
13
Subjects
Abstraction
23
Allegory
14
Animals
15
Autobiography
12
Self-portrait
26
Body positivity
2
Political issues
56
Social classes
7
Women's status
61
Human body
68
Cosmos
3
Colour
14
Discriminations
36
Documentary
6
Ecology
13
Writing
15
Eroticism
8
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9
Feminism
53
Party & nightlife
1
Gender fluidity
4
Geometry
8
War & conflicts
25
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44
Art history & museum
15
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26
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13
Irony
12
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14
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2
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2
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14
Mathematics
2
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7
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31
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11
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4
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5
Nature
22
Nude
22
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16
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3
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35
Postcolonialism
20
Queer
4
Racism
12
Religion & spirituality
12
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4
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10
Traditions
24
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9
Domestic work
8
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5
Vegetal
8
Everyday life
29
Old age
2
Violence
17
Trans visibility
5
Mediums
Applied arts
17
Ceramic
8
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2
Graphic arts
90
Poster
2
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14
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9
Dessin (ink, pencil…)
36
Artist book
8
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6
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8
Screen printing
2
Audiovisual
39
Film
9
Digital
2
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4
Video
23
Installation
77
Accumulation
3
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12
Environment
6
Light installation
2
[Modes]
19
Ephemeral
3
Site-specific
10
Monumental
11
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96
Acrylic
10
Mural
1
Gouache
5
Oil
29
Performance
30
Photography
52
Analogue photography
20
Digital photography
7
Sculpture
42
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1
Metal
5
Paper & cardboard
2
Clay
2
Glass
2
Textile
26
Embroidery
7
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1
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1
Weaving
7
Countries
Africa
16
South Africa
3
Angola
1
Egypt
3
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3
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1
Central America and the Caribbean
2
North America
57
United States
50
Mexico
8
South America
29
Argentina
9
Brazil
10
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4
Colombia
4
Peru
6
Asia
24
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3
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2
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10
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2
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1
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1
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132
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20
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4
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7
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69
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6
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5
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24
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7
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1
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14
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2
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2
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4
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2
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3
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2
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1
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5
Oceania
7
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6
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1
Periods of
activity
17th century
1
18th century
3
19th century
15
20th century
169
1950s
30
1960s
57
1970s
99
1980s
102
1990s
91
21st century
121
2000s
89
2010s
103
Programmes
— Rewriting Art History in the Americas
7
— TEAM: Teaching, E-learning, Agency, Mentoring
14
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Article
23.12.2022 | Erin L. McCutcheon
Monumental Interventions: Feminism, Art and Public Resistance in Mexico
Interview
30.09.2022 | Matylda Taszycka
Mira Schor: The Language of Painting
Article
05.08.2022 | Maia Creus and Maria Lluïsa Faxedas
Fina Miralles, from the idea of art to the art of lived experience
Article
08.07.2022 | Nadia Radwan
Women Artists from the Arab World: On the Discourse of Abstraction and Other Misconceptions
Interview
24.06.2022 | Marion Vignal
Women artists through the eyes of Floriane de Saint Pierre
Article
03.06.2022 | Sujin Kim
Soun Gui Kim, a Korean Artist in France: Art as a Form of Resistance
Article
20.05.2022 | Sarah Lolley
Pioneers: Paula Boi-Gony, Yvette Bouquet, Micheline Néporon and Denise Tiavouane
Article
05.05.2022 | Kelly-Christina Grant
African-American Women Artists in French Public Collections: Acquisitions from the 1970s to the Present Day
Exhibition review
22.04.2022 | Adélie Leguen
New Time: Art and Feminisms in the 21st Century
Interview
07.01.2022 | Fatoş Irwen & Ceren Özpınar
Fatoş Irwen: Corporeal Forms of Collective Memory
Article
24.12.2021 | Somayeh Noori Shirazi
Haptic Visuality and Experience: Embodied Ways of Seeing in Ghazaleh Hedayat’s Artworks
Interview
12.11.2021 | Mai Dengsøe
On Identity, War, Feminism and the Autobiographical Method in Ursula Reuter Christiansen’s Practice
Interview
22.10.2021 | Amelia Jones
Amelia Jones in dialogue with Nancy Buchanan, “Truly for Real”
Interview
24.09.2021 | Miller Schulman
Lucha/Libre: Lourdes Grobet and the radical reframing of 20th-century Mexico
Article
10.09.2021 | María Laura Rosa
Activism and collaborative strategies for Latin American women artists
Exhibition review
06.08.2021 | Louise Thurin
The Power of My Hands
– Palms and Fists Raised
Article
23.07.2021 | Andrea Giunta
Afro-Brazilian artists in the transition between two centuries
Article
09.07.2021 | Jacqueline Millner
Care and Art
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